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While many Western scholars have discussed the technical aspects of Balinese music or the traditional contexts for performance, little has been written in Weste
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This book combines ethnography, philosophy, and musical analysis for an in-depth look into the social context and musical praxis of gamelan gong gede, the large
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Bali's shadow puppet theater, like others in Southeast Asia, is a complex tradition with many conventions that puzzle Western observers. Mary Zurbuchen demonstr