Book of Donmon Teith

Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth cen

This book shows nineteenth-century German opera’s entanglement with national identity formation, adding a significant perspective to discussions about Wagner�

The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, na

In this sixtieth anniversary edition of The Idea of Nationalism, Craig Calhoun probes the work of Hans Kohn and the world that first brought prominence to this