Book of Donmon Teith

This book confronts a significant paradox in the development of literary realism: the very novels that present themselves as purveyors and celebrants of direct,

This book is about the historical moment when writers and critics first used the term “realism” to describe representation in literature and painting. While

Setting Realism in its social and historical context, the author discusses the crucial paradox posed by Realist works of art - notably in the revolutionary pain

The music of the nineteenth century was - and still is - thought of as a 'romantic' art, whereas the main current of the literature and fine arts of the age was

The human figure made a spectacular return in visual art and literature in the 1920s. Following modernism's withdrawal, nonobjective painting gave way to realis