Book of Donmon Teith

First published in 1981, this book represents the first work in English to give a comprehensive account of the revolutionary developments in German theatre from

Conclusion -- Appendix 1 Theatre Rules for the Mannheim National Theatre (1780) -- Appendix 2 Instructions regarding committee meetings (1782) -- Chronology 176

Mary Wigman, Germany’s premier dancer between the two world wars, envisioned the performer in the thrall of ecstatic and demonic forces. Widely hailed as an i

Tracing the Victorian and Edwardian antecedents of Shakespearean performance, this 1997 book situates Barrymore's distinctive contribution in light of past and