Book of Donmon Teith

This book offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the

Socio-intellectual history of the Sicngha Sabhaa, Arya Samaj, and Ahmadiyya, voluntary reform movements.

How does the sacred/secular opposition explain itself in the context of musical production? This volume traces this binary as it frames Western Classical music

Punjab Sounds nuances our understanding of the region's imbrications with sound. It argues that rather than being territorially bounded, the region only emerges

Based on a vast, virtually unstudied archive of Indian writings alongside visual sources, this book presents the first history of music and musicians in late Mu