Relics, Prayer, and Politics in Medieval Venetia

Relics, Prayer, and Politics in Medieval Venetia
Author :
Publisher : Princeton University Press
Total Pages : 272
Release :
ISBN-10 : 0691011753
ISBN-13 : 9780691011752
Rating : 4/5 (752 Downloads)

Book Synopsis Relics, Prayer, and Politics in Medieval Venetia by : Thomas E. A. Dale

Download or read book Relics, Prayer, and Politics in Medieval Venetia written by Thomas E. A. Dale and published by Princeton University Press. This book was released on 1997 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Against a historical backdrop of relic theft and propaganda campaigns waged by two cities vying for patriarchal authority in medieval Venetia, Thomas Dale shows how Romanesque mural painting shaped sacred space and institutional identity. His focus is on the late twelfth-century murals in the crypt of Aquileia Cathedral. The crypt, which contains the relics of Aquileia's founding bishop, Saint Hermagoras, has a historical significance rooted in a legend identifying the saint as a direct disciple of Saint Mark the Evangelist. On this basis, the Carolingians promoted the city's status as patriarchal see of Venetia--a claim that prompted Venice to steal Mark's relics from Alexandria, Egypt, and appropriate Aquileia's history. This book, the first English-language study of the crypt, explores how the paintings complement the relics of Hermagoras in their distinct devotional and political roles. Hermagoras's intercessory power is activated by his orant image displayed over the central aisle within a larger hierarchy of apostles, martyrs, and bishops. The surrounding hagiographic cycle justifies in legalistic fashion Aquileia's patriarchal title and the consecration of the city as locus sanctus of Venetia by the blood of its martyrs. The iconic images in the eastern lunettes present the Virgin's compassio as a pictorial model for the vicarious experience of Christ's Passion. Finally, a fictive curtain over the socle presents allegories of spiritual warfare in the form of exempla from crusades, pilgrimage, and the epic poem Psychomachia, which Dale analyzes as a gloss on the main program.


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