Book of Donmon Teith

In the 1930s, a young Samuel Beckett confessed to a friend that he had been living his life according to an ‘abject self-referring quietism’. Andy Wimbush a

This is the first monograph to analyse Beckett’s use of the visual arts, music, and broadcasting media through a transdisciplinary approach. It considers how

Exploring the Christian symbolism throughout a major portion of Beckett's mature work (particularly Molloy, Malone Dies, The Unnamable, Watt, Not I, The Lost On

The dozen essays brought together here, alongside a newly-written introduction, contextualize and exemplify the recent 'empirical turn' in Beckett studies. Char