Book of Donmon Teith

When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-

Forte here applies his analytical approach as set forth in The Structure of Atonal Music to one of the monuments of modern music. Together the introduction and

The story behind the scandalous first performance of one of the most influential works in the history of music, as part of the stunning Landmark Library series.

Composer Igor Stravinsky and choreographer Vaslav Nijinsky, Russian comrades, worked together to bring a very different and new ballet to a Parisian audienceN"T