Ingmar Bergman, Cinematic Philosopher

Ingmar Bergman, Cinematic Philosopher
Author :
Publisher : MIT Press
Total Pages : 253
Release :
ISBN-10 : 9780262264815
ISBN-13 : 0262264811
Rating : 4/5 (811 Downloads)

Book Synopsis Ingmar Bergman, Cinematic Philosopher by : Irving Singer

Download or read book Ingmar Bergman, Cinematic Philosopher written by Irving Singer and published by MIT Press. This book was released on 2009-09-18 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: The development of themes, motifs, and techniques in Bergman's films, from the first intimations in the early work to the consummate resolutions in the final movies. Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Singer discerns distinctive themes in Bergman's filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman's output is not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense. Through analysis of both narrative and filmic effects, Singer probes Bergman's mythmaking and his reliance upon the magic inherent in his cinematic techniques. Singer traces throughout the evolution of Bergman's ideas about life and death, and about the possibility of happiness and interpersonal love. In the overtly self-referential films that he wrote or directed (The Best Intentions, Fanny and Alexander, Sunday's Children) as well as the less obviously autobiographical ones (including Wild Strawberries, The Seventh Seal, and the triad that begins with Through a Glass Darkly) Bergman investigates problems in his existence and frequently reverts to childhood memories. In such movies as Smiles of a Summer Night, Scenes from a Marriage, and Saraband, Bergman draws upon his mature experience and depicts the troubled relationships between men who are often weak and women who are made to suffer by the damaged men with whom they live. In Persona, Cries and Whispers, and other works, his experiments with the camera are uniquely masterful. Inspecting the panorama of Bergman's art, Singer shows how the endless search for human contact motivates the content of his films and reflects Bergman's profound perspective on the world.


Ingmar Bergman, Cinematic Philosopher Related Books

Ingmar Bergman, Cinematic Philosopher
Language: en
Pages: 253
Authors: Irving Singer
Categories: Photography
Type: BOOK - Published: 2009-09-18 - Publisher: MIT Press

DOWNLOAD EBOOK

The development of themes, motifs, and techniques in Bergman's films, from the first intimations in the early work to the consummate resolutions in the final mo
Cinema, Philosophy, Bergman
Language: en
Pages: 226
Authors: Paisley Livingston
Categories: Philosophy
Type: BOOK - Published: 2009-07-02 - Publisher: OUP Oxford

DOWNLOAD EBOOK

The increasingly popular idea that cinematic fictions can 'do' philosophy raises some difficult questions. Who is actually doing the philosophizing? Is it the p
Cinema, Philosophy, Bergman
Language: en
Pages: 226
Authors: Paisley Livingston
Categories: Language Arts & Disciplines
Type: BOOK - Published: 2009-07-02 - Publisher: Oxford University Press

DOWNLOAD EBOOK

Can cinema be a medium for philosophy? If so, how is the philosophizing done? Paisley Livingston explores the philosophical value of cinema. As a case-study for
New Philosophies of Film
Language: en
Pages: 258
Authors: Robert Sinnerbrink
Categories: Philosophy
Type: BOOK - Published: 2011-10-13 - Publisher: A&C Black

DOWNLOAD EBOOK

A concise but comprehensive student guide to studying Emily Bronte's classic novel Wuthering Heights. It covers adaptations such as film and TV versions of the
Philosophy of Love
Language: en
Pages: 145
Authors: Irving Singer
Categories: Philosophy
Type: BOOK - Published: 2011-01-07 - Publisher: MIT Press

DOWNLOAD EBOOK

The author of the classic philosophical treatment of love reflects on the trajectory, over decades, of his thoughts on love and other topics. In 1984, Irving Si