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Noir Affect proposes a new understanding of noir as defined by negative affect. This new understanding emphasizes that noir is, first and foremost, an affective
The Dark Interval
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Invoking key concepts from the philosophical writings of Gilles Deleuze and Giorgio Agamben, The Dark Interval examines a subtle but distinct iconography of pas
The Drift: Affect, Adaptation, and New Perspectives on Fidelity
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Provides a new perspective on the complex relationship between literature and cinema by rethinking 'adaptation' as a generative, affective dialogue between symb
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How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann ai
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An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established an