The American Journal of Photography, 1892, Vol. 13 (Classic Reprint)

The American Journal of Photography, 1892, Vol. 13 (Classic Reprint)
Author :
Publisher : Forgotten Books
Total Pages : 652
Release :
ISBN-10 : 0656333189
ISBN-13 : 9780656333189
Rating : 4/5 (189 Downloads)

Book Synopsis The American Journal of Photography, 1892, Vol. 13 (Classic Reprint) by : Julius F. Sachse

Download or read book The American Journal of Photography, 1892, Vol. 13 (Classic Reprint) written by Julius F. Sachse and published by Forgotten Books. This book was released on 2018-02-11 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The American Journal of Photography, 1892, Vol. 13 F we were asked to give the name of a class of photographic pictures returning handsome profits, and which could be finished easily and quickly, we should say the ferrotype. We mean by this the old-fashioned ferrotype or collodion positive on thin japanned iron, not the ferro-prussiate or blue print, which is sometimes confounded with the former. A rather startling story made its appearance in one of our recent English contemporaries, to the effect that dry ferrotype plates requiring but very short exposures were now articles of commerce. We have not yet seen them, but should welcome the introduction of such plates if they could be manufactured and sold at reasonable prices. But there are serious difficulties in the way; and to make clear why they are so we shall devote a few moments to a description of the ferrotype picture. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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