Color and Mastering for Digital Cinema

Color and Mastering for Digital Cinema
Author :
Publisher : Taylor & Francis
Total Pages : 204
Release :
ISBN-10 : 9781136033377
ISBN-13 : 1136033378
Rating : 4/5 (378 Downloads)

Book Synopsis Color and Mastering for Digital Cinema by : Glenn Kennel

Download or read book Color and Mastering for Digital Cinema written by Glenn Kennel and published by Taylor & Francis. This book was released on 2012-07-26 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Color and Mastering for Digital Cinema explores the implications for motion picture post production processes and changes required to the supporting equipment and software. While a new concept to the motion picture community, the selection of the wide gamut, output-referred XYZ color space for digital cinema distribution is based on decades of color science and experience in other industries. The rationale for choosing XYZ and the other color encoding parameters is explained and the book also provides a full case study of the development of DLP Cinema® projectors by Texas Instruments. Finally, this book explores how the XYZ color encoding concept can be extended to support enhanced display technologies in the future. This book contains: * Brilliant 4-color illustrations that compliment the color science explanations * Never before published industry information from author Glenn Kennel, a world leader in digital cinema color technology * Descriptions of key issues and background on decisions that were made in the standardization process By Glenn Kennel, Glenn Kennel is VP/GM of Feature Film Services at Laser Pacific Media Corporation, a leading provider of a full range of post production services for television and feature film. Recently, he worked for the DLP Cinema group of Texas Instruments in a role that included technology and business development. Previously, in a twenty year career with Kodak, he led the development of the Cineon digital film scanners and laser recorders and the prototype HDTV telecine that became the Spirit Datacine. As a consultant, he helped DCI draft the technical specifications for digital cinema. Kennel also chairs the SMPTE DC28 Color ad hoc group and the DC28.20 Distribution working group. He is a SMPTE Fellow and has received the SMPTE Journal Award. He is also a member of the Academy of Motion Picture Arts and Sciences.


Color and Mastering for Digital Cinema Related Books

Color and Mastering for Digital Cinema
Language: en
Pages: 204
Authors: Glenn Kennel
Categories: Language Arts & Disciplines
Type: BOOK - Published: 2012-07-26 - Publisher: Taylor & Francis

DOWNLOAD EBOOK

Color and Mastering for Digital Cinema explores the implications for motion picture post production processes and changes required to the supporting equipment a
Understanding Digital Cinema
Language: en
Pages: 354
Authors: Charles S. Swartz
Categories: Language Arts & Disciplines
Type: BOOK - Published: 2005 - Publisher: Taylor & Francis

DOWNLOAD EBOOK

The definitive work on digital cinema by all the Hollywood insiders!
Color Correction Look Book
Language: en
Pages: 217
Authors: Alexis Van Hurkman
Categories: Computers
Type: BOOK - Published: 2014 - Publisher: Pearson Education

DOWNLOAD EBOOK

In this follow-up volume to the bestseller Color Correction Handbook, Alexis Van Hurkman walks you through twenty-one categories of creative grading techniques,
Color Correction Handbook
Language: en
Pages: 673
Authors: Alexis Van Hurkman
Categories: Computers
Type: BOOK - Published: 2014 - Publisher: Pearson Education

DOWNLOAD EBOOK

The 'Color Correction Handbook' covers a wide variety of techniques that can be used by colourists, no matter what system they're using. From the most basic met
Digital Intermediates for Film and Video
Language: en
Pages: 576
Authors: Jack James
Categories: Performing Arts
Type: BOOK - Published: 2012-08-06 - Publisher: Taylor & Francis

DOWNLOAD EBOOK

The Digital Intermediate process (DI), or conversion of film to digital bits and then back to film again, has great potential to revolutionize the postproductio